Release Date: July 11th, 2014 (US); July 17th, 2014 (UK)
Genre: Action; Drama; Science-fiction
Starring: Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell
It’s always darkest before the dawn, or so the saying goes. Well, if Matt Reeves’ film is the culmination of a dawning ape species, then said saying is spot on. Dawn of the Planet of the Apes — we’ll stick to Dawn from now on — is frequently unsettling. Coalescing magnificently with arguably the best-looking visual palette since Middle Earth (every raindrop on fur is accounted for) is a story that sizzles with poise and acute direction. When the lesser of the film’s two halves is still approaching five stars, you know there is a winner playing out on screen.
Rise was a deft and engaging prelude that focused keenly on human-animal relations and biological moralities, but Dawn is more than that. Those traits are still prevalent of course, however Reeves invokes an emotional core by affording his actors the chance to tell a story. And whether it is the ping of Michael Giacchino’s score or the rugged outlook purveyed by Michael Seresin’s cinematography, it’s clear we are back in familiar territory. Apes fans rejoice. Apes newbies prepare. All eyes on the next branch, this one is swinging straight back to 1968.
A decade has passed since the fall of humankind due to viral infection. In San Francisco, a group of seemingly immune people have merged in an attempt to reignite the flame of civilisation, but this uprising is severely threatened when a few of the survivors inadvertently set foot in a developed ape colony. Caesar (Andy Serkis) is colony’s conscience-driven leader who hopes for peace, something that the two separate cultures may never be able to attain.
Fraught with tension, Dawn relentlessly teases a monumental clash. The contrast between two societies — apes and humans — is startling yet not unfamiliar. For better or worse, we watch as a total role reversal unfolds: people live hidden away with basic supplies, whereas apes roam landscapes carrying out practices akin to those originally implemented by human beings. They hunt. They safeguard. They educate. They even wear protective face masks during birth. Armed with subtitled grunts filling in for words, the opening quarter of an hour details this thriving lifestyle as it lulls us into a rhythm of admiration. The following gunshot that dully interrupts with immediacy not only acts as a wedge between life sources, it also represents their inability to coexist.
It takes human intervention to negatively hamper the structure of being that has been mustered by these hominoids. Dawn, then, is a cautionary parable about the disease of humanity; once we infect, we destroy. Reeves tactfully employs this overarching theme — the various characters on both sides of the Golden Gate Bridge openly discuss the merits and demerits of war, necessary primarily due to our own invasive attitude. (“Fear makes others follow.”) As the analysis plays out on screen we’re challenged to weigh up combat as a fundamental prerequisite. Is it? Reeves is firmly in the camp that denounces war and its resultant mess, and it’s hard to argue when his presentation is so compellingly and affectingly relayed. No issues arise when the script occasionally hints at predictability because of the hearty motifs and strands that weave throughout.
In fact, Dawn is all the more interesting because it is about the apes. They are the beginning, middle and end. Unlike Rise — which rightly honed in on human beings and their attempt to control animals — this second instalment sheds more light and dark on ape life. Given this, we’re allocated far more time to see the intricacies of the primate’s in-house relations and potential fallouts. And so, Andy Serkis, the spotlight is yours. The actor famed for his consistently dazzling motion capture acrobatics once again vaults into the skin of Caesar, and subsequently groans out a career defining performance. Each sinew matters because Serkis is inclined to make each sinew matter. Though he plays Caesar with air of perpetual dominance (“Ape not kill ape”) Serkis’ humility shines through. To many he’s simply a voice with no face, that guy who done the thing as Gollum. I certainly wouldn’t begrudge any formal recognition headed his way. What he does is acting, plain and simple. Utterly brilliant, too, and this role is his reward. It’s also ours.
Serkis’ powerful performance is made all the more tantalising by way of Dawn’s visuality. The film looks incredible. Motion capture settles into its surroundings as well as ever and the attention to detail routinely impresses. The apes might as well be authentic, drafted in from Hollywood’s premier acting zoo. San Francisco manifests gloomily, mirroring the prevailing mood of both the narrative and the characters involved. Reeves also harkens back to the tremor-like scariness of two previous outings, Cloverfield and Let Me In, by letting proceedings breathe a foreboding breath or two — the film’s curtain jerker is a genuinely ominous hunting scene. Mature heads also prevail when it comes to violence, which isn’t common, therefore smatterings of red spring with greater gravitas.
Toby Kebbell is Koba, Caesar’s second-in-command. The Brit’s mannerisms are so convincing that you’d be forgiven for thinking Koba is another Serkis creation. On the human front, Gary Oldman’s Dreyfus is the most captivating character. He’s a staunch defender of stretching ethical limits in order to prevail and, despite being fed a little less screen time than other major players, Oldman effectively channels his persona’s mindset. Jason Clarke lands the James Franco role as the human whom Caesar develops a bond with. The Aussie’s efforts are admirable and, more often than not, sufficiently potent.
Dawn, then, is one of 2014’s best films thus far. This reboot of the Apes franchise may yet prove to be a mightily formidable cinematic set once complete, but for now we can at least bide our time equipped with the knowledge that, as a standalone piece, part two has already achieved a status of grandiosity.
Images credit: IMP Awards, Collider
Images copyright (c): 20th Century Fox
24 thoughts on “Dawn of the Planet of the Apes (2014)”
Great review Adam. I’m keen to see this now…had been avoiding reviews but my will cracked!
Cheers Stu. I’m the same, but it’s a tough one to follow through on when the film’s already been out for a week in the States! Those damn staggered release dates.
Brilliant review Adam, you’re so right about this being all about the apes and is better for it. And the score is wonderful
I really liked Rise, but Dawn is so much more intriguing because it’s telling a familiar story from a different perspective. Love the score! Thanks mate.
Have heard nothing but top-notch buzz about this one. I may have to see it sooner rather than later. Great review.
For me, it was one of those films that took a day or two to really sink in. But I had high expectations and they were undoubtedly matched. Hope you enjoy it too if you get the chance, cheers Jordan!
Great review Adam! Indeed it’s wise for the filmmakers to make this one more about the apes and even wiser to have the mo-cap virtuoso Mr Serkis to carry the film. It’s a brilliant film through and through, it would end up in my top 10 of the year I think.
Completely agree Ruth! Though the basic narrative isn’t revolutionary, it does feel very fresh because the focus takes a detour down ape-ville. This is a stick on to be in my top ten too!
I just posted my top 10 of the year so far, it’d be interesting how many would make it to my final top 10, but I have a strong feeling this one would!
Ah great, I’ll check it out!
ADAM! I am so unforgivably behind on your blog! It will be my goal to catch up over the next few days, so prepare for a notification storm! Lol. Great review! I really do want to see this one! I’ve seen so much praise. I liked Rise of the Planet of the Apes much more than I expected to, and this one sounds even better!
Hello! Ha, no worries at all Cara. Thanks! This is really great, in my top five of the year so far. If you liked Rise, I think you’ll love Dawn – so much more focus and emotional pang!
Great review man! Nice to see so much love for it. Completely agree and can’t wait until the next one, especially since Reeves is directing again. Definitely one of 2014’s best!
Thanks Jim. So I’ve heard, that’s great news! The tone throughout Dawn is one of the film’s greatest successes – glad to hear Reeves will be back again.
Awww. I just love Caesar man, he’s the f**cking stuffing dude! Serkis just owns this role. And Dawn of the Planet of the Apes, I would very much agree with you, is going to be one of 2014’s finest offerings. It is an excellent sequel, an incredible standalone movie and what a statement on the futility of war. Man, I might have to review this at some point.
I actually just got into such a headspace with this thing after just immediately before seeing Rise that I haven’t’ gotten around to writing anything for it yet! Haha.
Looks like you’ve got the start of damn fine review right there! It’s just so good, and so much better than Rise – which, itself, was a great outing. Serkis delivers an acting masterclass here, deserves all the accolades afforded to him.
He really does man. That character is one of the coolest things I’ve seen in a long long time. I never expected to empathize in this way for a race of apes. Granted, intelligent apes, but apes nonetheless. 😀
More intelligent than humans, apparently! 😉
You just made me rethink my conviction not to see this. 🙂
Glad to hear – go, now! Haha 🙂