Preview: The 2014 Cinematic Landscape

Who invited January over?

Yep, the most miserable month of year has reared its ugly head again. However for film fans (and let’s be honest, who isn’t?) the arrival of the dreaded January means two things: One, it’s awards season, so watch out for the heavy hitters making their way around cinemas, and two, it’s time to look forward to another calendar year choc-a-bloc with films ready to burst loose and onto our screens.

I guess we should start looking then…

(All release dates are subject to change, so don’t be booking your holidays around them. Because I know people do that. What? Just me?)

 

January

The Wolf of Wall Street – Director: Martin Scorsese, Starring: Leonardo DiCaprio

That’s right, having spent the best part of a decade working together, Scorsese and DiCaprio are remaining true to form and battering out another collaboration. This time Leonardo DiCaprio is Jordan Belfort, a New York stockbroker who got rich overnight in the late 1980s. The Wolf of Wall Street is based on a true story and by all accounts, it’s a pretty hectic tale. Jonah Hill and Matthew McConaughey are part of this brash comedy that apparently didn’t go down too well with a few elderly Academy members, as reports suggest Scorsese and the cast were severely heckled after a screening. Sounds like a lot of fun then! Out January 17th in the UK.

Inside Llewyn Davis – Directors: Joel and Ethan Coen, Starring: Oscar Isaac

From the outrageous to the harmonious, Joel and Ethan Coen have rustled up another helping of their highly sought-after Kool-Aid. Set around the wintry Greenwich Village folk scene in 1961, the film depicts a week in the life of Llewyn Davis, an aspiring musician out of luck. This has earned rave reviews on the festival circuit, and could springboard Oscar Isaac into Hollywood stardom. The Coen Brothers are often meticulous in their film-making – details matter as much as one-liners – and with T-Bone Burnett orchestrating the music production, Inside Llewyn Davis may well cause one or two Academy Award-shaped upsets come March. Out January 24th in the UK.

 

February

Dallas Buyers Club – Director: Jean-Marc Vallée, Starring: Matthew McConaughey

It’s only February and here we are looking at Matthew McConaughey’s second film on the list (and it won’t be his last)! The true renaissance man of cinema has knocked role after role out of the park in recent years, be it as a gritty lawyer in The Lincoln Lawyer, an eccentric stripper in Magic Mike or a pact-making fugitive in Mud, and this is shaping up to be another home run. After being diagnosed with AIDS, hustler Ron Woodroof sees life in a new light, shining brightly on giving back to those in need. Dallas Buyers Club has an air of Milk about it, which can only be a good thing. Also watch out for a supporting performance from Jared Leto that is generating quite a helping of Oscar buzz. Not bad for a singer. Out February 7th in the UK.

The Monuments Men – Director: George Clooney, Starring: George Clooney, Matt Damon

Argo meets Inglorious Basterds. Now that doesn’t sound half-bad, does it? Only, replace stranded United States embassy staff with some art masterpieces, and Diane Kruger with Cate Blanchett, and you’ve got yourself George Clooney’s next directorial venture. It’s quite a change from running for president in The Ides of March, although some political elements look set to remain. Clooney and company are going to have to do exceedingly well to usurp Quentin Tarantino’s take on World War II, however with a cast including Bill Murray anything’s possible. Out February 21st in the UK.

 

March

The Grand Budapest Hotel – Director Wes Anderson, Starring: Just about everyone

Wes Anderson and that distinctive directorial style returns with a story about a heralded concierge, a young lobby boy and a stolen painting set in a hotel between World Wars. Anderson must have a phone book brimming with Hollywood stars, each of whom is in his debt. Or maybe he just makes interesting films (yep, probably this one). Bill Murray – hooray again – is joined by Saoirse Ronan, Jude Law, Ralph Fiennes, Tilda Swinton, Edward Norton, Jeff Goldblum and a whole host of other people you’d want to have round for dinner. There’s no doubt this’ll have laughs, but without the naive innocence on show in Moonrise Kingdom, will those laughs be enough to win over audiences? Maybe Anderson has another trick up his sleeve. Or in his hair. Out March 7th in the UK.

The Zero Theorem – Director: Terry Gilliam, Starring: Christophe Waltz

The man behind Monty Python has turned his head to existential science-fiction in this odd-sounding fantasy-drama. About a computer hacker’s search to uncover why and how human beings exist (he should check out The Meaning of Life, by the way), The Zero Theorem even tends towards comedy by the sounds of it. The hacker’s bosses, succinctly named the ‘Management’, strive to distract him by sending a lusty love interest to his place of work. This ‘Management’ lot obviously don’t understand the first rule of um, management – getting results. Surely Christophe Waltz (who plays our lead) won’t deliver results with his attention diverted elsewhere?! This could throw up anything really. Out March 14th in the UK.

 

April

The Double – Director: Richard Ayoade, Starring: Mia Wasikowska, Jesse Eisenberg

After his coming-of-age debut Submarine was well received by audiences and critics alike, the stone-faced Richard Ayoade has decided for his second film, to direct Jesse Eisenberg… twice. This peculiar outing about a man stalked by his doppelgänger won over viewers when it premièred at the Toronto International Film Festival, and then carried much momentum onto The Culture Show with Mark Kermode during its life at the BFI London Film Festival. Mia Wasikowska is included in the Jennifer Lawrence and Elizabeth Olsen future of cinema party, and if that’s not enough to clinch your attention, Eisenberg versus Eisenberg in a wit-off is something you have to see in 2014. Out April 4th in the UK.

Transcendence – Director: Wally Pfister, Starring: Johnny Depp

He’s the reason most Christopher Nolan films look as wholesome as they do, but now someone else has to do the same for Wally Pfister (good luck Jess Hall!). Transcendence is his first venture into the directorial chair, and therefore could go either way. Given the extraordinary standards set by his previous work though, don’t expect anything to be left to chance. This story of death, life, and uncompromising power has morality at its heart and a string of Nolan’s acting repertoire to provide the beat. Johnny Depp meets Morgan Freeman, Rebecca Hall and Cillian Murphy in what is quite simply a exceptional line-up. Out April 25 in the UK.

 

May

Frank – Director: Lenny Abrahamson, Starring: Domhnall Gleeson, Michael Fassbender

Frank hasn’t been released anywhere yet, therefore we don’t know an awful lot about it. Abrahamson’s last film, What Richard Did, garnered positive reviews from critics, but doesn’t seem to share many similar characteristics with his upcoming piece. About a young musician looking for a break and finding solace in a mysterious, enigmatic band leader who invites him to join, Frank is described as a comedy, a drama and a mystery on IMDb (which is fitting really, because its content certainly is unknown for the most part). Domhnall Gleeson charmed 2013 and Michael Fassbender has developed a reputation greater than most, so we’re in good hands here. It’s also nice to see Scoot McNairy involved, who excelled in Gareth Edwards much talked about debut Monsters. Out May 9th in the UK.

Godzilla – Director: Gareth Edwards, Starring Aaron Taylor-Johnson, Elizabeth Olsen

Speaking of Gareth Edwards, his triumphant 2010 debut has landed him at the helm of the most anticipated blockbuster of the coming summer. Roland Emmerich butchered more than just the Japanese monster in his take on Godzilla fifteen years ago, he also tarnished the immediate legacy of the giant mutant lizard. It looks like Edwards is delving back into the franchise’s original backbone – the trials and tribulations of human nature and greed – which is a good idea in an era where blockbusters have to be intelligent, or its bust. Aaron Taylor-Johnson is a solid lead and Elizabeth Olsen has done a whole lot of right so far in her young career. It must be wary of high expectations, however those expectations are only lofty on the back of Edwards’ previous successes. Out May 16th in the UK.

 

June

22 Jump Street – Directors: Phil Lord and Chris Miller, Starring: Channing Tatum, Jonah Hill

After the surprising critical and commercial success of the first film, it’s time for Jump Street: The College Years. Undercover cops Channing Tatum and Jonah Hill are set to return and after their prior personal triumphs, the pair find themselves surrounded by fraternities and hipster clubs in college. Joint directors Phil Lord and Chris Miller have two highly marketable films out in 2014 – the first being The Lego Movie – but both have difficult obstacles to overcome. For 22 Jump Street it’s all about bettering the predecessor, and that will be a big ask. Out June 6th in the UK.

A Million Ways to Die in the West – Director: Seth MacFarlane, Starring: Seth MacFarlane, Charlize Theron

Ted worked out well for Seth MacFarlane, so why not turn his head towards the west? After losing the love of his life to cowardliness, a man finds bravery in the form a gunslinger’s wife, only now the gunslinger wants his wife back. This one sounds like referential humour in abundance. Expect many a cowboy gag and acoustic twang. MacFarlane does blunt comedy very well in animated form, and his cross-over into live action was a successful one. Only time will tell if he can strike an even better balance second time around. Out June 6th in the UK.

 

July

Dawn of the Planet of the Apes – Director: Matt Reeves, Starring: Gary Oldman

Cloverfield director Matt Reeves tries his hand at an Apes sequel, and will do well to live up to standards set by the first. There’s no James Franco (he’s too busy doing weird indie stuff), nor does Freida Pinto return. However, Gary Oldman has been lined up to take the reins and there can be absolutely quarrels with that appointment. Set eight years after Rise of the Planet of the Apes, human survivors of the virus unleashed at the end of the first film bond together in a movement against Caesar’s growing forces. The Picasso of motion-capture acting, Andy Serkis, is back as Caesar in an outing that pertains to being far more action-packed than the first. Out July 17th in the UK.

Jupiter Ascending – Directors: Andy and Lana Wachowski, Starring: Mila Kunis, Channing Tatum

In what appears to be 2014’s Cloud Atlas (and hopefully not 2014’s After Earth) Jupiter Ascending will be strung together by mythology, scintillating visual landscapes and probably some croaky language not-of-this-earth. The human species has fallen mightily, and exists near foot of the evolutionary pyramid, where Mila Kunis cleans toilets for a living. Her unfulfilled existence is about to change however, as she is targeted for assassination by the threatened Queen of the Universe in an attempt to ensure her own longevity. You’ve got to hand it to the Wachowski’s: they’re not afraid to dream and do big. In the same vein as their previous films, this’ll likely split opinion. Out July 25th in the UK.

 

August

Guardians of the Galaxy – Director: James Gunn, Starring: Lee Pace, Vin Diesel, Bradley Cooper, Zoe Saldana

The Avengers’ cousin, this will be Marvel Cinematic Universe’s second offering of the year after Captain America: The Winter Solider, and the first in its own particular superhero story strand. A group of misfits including a warrior, a tree-human hybrid and a squirrel are recruited by a stranded pilot in space as he attempts to fend off a number of cosmic threats and ensure the galaxy’s survival. Guardians received an electric reception

Guardians received an electric reception at the 2013 San Diego Comic Con and there’s a large degree of buzz surrounding the film. With very little exposure in the run up to its release – unlike The Avengers which was preceded by feature-length films for each character – it may not make as big an impact as expected. Out August 1st in the UK.

Hercules: The Thracian Wars – Director: Brett Ratner, Starring: Dwayne Johnson

Much like the battle of White House destruction supremacy that played out in 2013, this year will have its own inter-Herculean duel as two re-imaginings of the Greek demigod come to fruition. The second and more anticipated of the two will be directed by Brett Ratner and will star the franchise re-energiser himself, Dwayne “The Rock” Johnson, alongside film veterans John Hurt and Ian McShane. Can The Rock layeth the Smacketh-down on both a monstrous warlord and a February release of the same name? Out August 8th in the UK.

 

September

Posh – Director: Lone Scherfig, Starring: Sam Claflin, Natalie Dormer

At the time of writing, September is looking pretty starved in the film front. It’s sandwiched amongst that awkward post-summer blockbuster, pre-awards season gap, when many people are heading back to work, school or uni. However Danish director Lone Scherfig has this upper-class thriller lined up to hopefully quench our end-of-holiday blues. Sam Claflin and Game of Thrones’ Natalie Dormer will star as new members of the Riot Club at Oxford University. With very little known about Posh, let’s place it somewhere between National Lampoon’s Animal House and Pathology for now. Out September 19th in the UK.

 

October

Gone Girl – Director: David Fincher, Starring: Rosamund Pike, Ben Affleck

David Fincher has accumulated quite the portfolio of films throughout his career, along with a fair few fans too, so it’ll be interesting to see how this seemingly more straight-forward narrative will go down. Based on a novel of the same name, Gone Girl sees conundrums take precedence as a woman disappears on the day of her wedding anniversary. Fincher doesn’t often disappoint his supporters, and the mystery-thriller element here should be enough for him to juggle with and embroider his own spin. Heck, he’s got Batman as his lead for goodness sake. Out October 3rd in the UK.

 

November

Interstellar – Director: Christopher Nolan, Starring: Anne Hathaway, Matthew McConaughey

In his first film since neatly wrapping up the trials and tribulations of Batman for a while (oh… right) Chris Nolan is taking to space for his next voyage. Hey look, Matthew McConaughey is back again! And this time Double-M is joined by Nolan archivees Anne Hathaway and Michael Caine, plus Jessica Chastain, in a sci-fi tale about discovering the bounds of life and surpassing the un-surpass-able. Ahem. Expect wormholes aplenty and probably even some dimension-hopping, time-travelly stuff too. Nolan hasn’t made a bad film in, well, ever, so Interstellar will open with very high expectations. Will it be stellar? Out November 7th in the UK.

The Hunger Games: Mockingjay – Part 1 – Director: Francis Lawrence, Starring: Jennifer Lawrence

It’s becoming a late-November outing to be thankful for, but with two excellent predecessors, the less-well-regarded Mockingjay (Part 1, to ruffle even more feathers) has hype, expectations and box office records to live up to. Jennifer Lawrence will reclaim the bow for a third time as she helms the rebellion against President Snow and his viscous Capitol. Francis Lawrence infused Catching Fire with more politically current themes, and created an altogether bleaker but better film than first time around – and first time around was pretty damn good. Going by the material in the third book, Francis Lawrence has an even bigger task on his hands here. Part 1 is out November 21st in the UK, with Part 2 to follow a year later.

 

December

Dumb and Dumber To – Directors: Bobby and Peter Farrelly, Starring: Jim Carey, Jeff Daniels

Anchorman 2 by association, and we’re not off to a great start with the title. Much like the return of the Burgundy-brigade after nine years in December 2013, the dimwits are set to return in December 2014 after twenty years doing absolutely nothing. Not really, both Carey and Daniels are far bigger stars these days, raising the question: will it be harder for audiences to acclimatise to their characters’ now Hollywood stupidity? Fortunately, the Farrelly brothers are once again fronting up the sequel which does actually sound quite funny: the duo are on the hunt for a new kidney, so now is probably a good time to find that long-lost child. Out December 19th in the UK.

The Hobbit: There and Back Again – Director: Peter Jackson, Starring: Martin Freeman, Ian McKellen

And finally, we once again end the year at the end of the Hobbity adventure. Peter Jackson’s extended extension of J. R. R Tolkien’s ‘The Hobbit’ has improved with age, but will probably never please the hardcore Tolkienati. We’ve been there twice and it’s time to go back again as the world finds out the fate of Bilbo, Gandalf and their company of dwarfs, in their joust with Smaug. The amount of book pages remaining is wearing thin, so it’ll be interesting to see how Jackson expands this final instalment across almost three hours (which he’ll surely do). The Hobbit films haven’t really been a patch on The Lord of the Rings trilogy, but I’ll certainly miss Jackson’s endeavours into Middle Earth when the franchise finally nestles up. Out December 19th in the UK.

 

 

Some more potential hit or misses:

Jack Ryan: Shadow Recruit (Kenneth Branagh): This year’s Jack Reacher, only Tom Cruise is younger and cooler. Out January.

Non-Stop (Jaume Collet-Serra): Taken on a Plane. Out February.

Nymphomaniac (Lars von Trier): Wherever von Trier goes controversy follows, and this has controversy smothered all over it. Along with a lot of other… stuff. Part I out February, Part II out March.

The Amazing Spiderman 2 (Marc Webb): Three and Four are already confirmed, and although the first regeneration was a success, counting chickens is a dangerous game. Out April.

Chef (Jon Favreau): Favreau’s Iron Man set a yet-to-be-reached bar for the franchise, and he’s back with RDJ in this tasty comedy. Out May.

The Fault in our Stars (Josh Boone): It’s probably time for a summer weep-fest. Out June.

Transformers 4 (Michael Bay): Let’s not even kid ourselves. Unfortunately, out July.

Sin City: A Dame to Kill For (Frank Miller and Robert Rodriguez): The next chapter in this graphic novel-driven saga. Out August.

Search Party (Scott Armstrong): Matthew Abbadon from LOST is in it. Out September.

The Maze Runner (Wes Ball): Brimming with youthful potential, will this be the next Hunger Games? Out October.

Horrible Bosses 2 (Sean Anders): The first was pretty average, but Christophe Waltz has been snapped up for this one. Out November.

Exodus (Ridley Scott): Scott’s movie-making binge continues with this account of Moses, played by Christian Bale. Out December.

 

What are you looking forward to seeing in 2014? Comment below!

The Hobbit: The Desolation of Smaug (2013)

★★★★

Director: Peter Jackson

Release Date: December 13th, 2013 (UK/US)

Genre: Action; Fantasy

Starring: Martin Freeman, Ian McKellen, Richard Armitage, Benedict Cumberbatch, Orlando Bloom, Evangeline Lilly

Peter Jackson’s carrot-wielding Bree resident looks knowingly at the screen before sidling along the rainy, muddy Middle-earth town. Moments later the smoky, beer-filled room of the Prancing Pony inn hosts dwarf-heir Thorin as he glances wearily around clutching his axe in preparation for any potential attack. Gandalf the Grey sits opposite him, enticing us with familiar wispy tones, underplayed confidence and Lord of the Rings lingo (“We’ve been blind… and in our blindness the enemy has returned”).

We’re back. No, it’s not quite the Middle-earth from a decade ago — or, narratively, decades later — but it was never going to be. Rather, The Desolation of Smaug signals a return to the comfort of Peter Jackson’s pre-Lord of the Rings universe, and already proceedings seem more urgent than last time around.

Following their narrow escape from the Misty Mountains and temporary fending off of Orc war chief Azog, Bilbo (Martin Freeman) and his company of dwarfs find themselves splintered from Gandalf (Ian McKellen), who must investigate the state and whereabouts of an evil necromancer boasting powers that are ever-growing. As they part ways for the time being, Gandalf suggests that the best way to continue on their journey towards the Lonely Mountain and Erebor, is for the group to travel through a dishevelled, haunting forest, rather than treading two-hundred miles north and going around it. In the first film, the dwarfs and Bilbo most certainly would’ve taken the long route, and would definitely have sung an out-of-place song about picking mushrooms or making fire en route. Many of the previous instalment’s shortcomings (long-comings, even) are brushed to the side this time though, as the film hurtles along at a splendidly speedy pace, with plenty of action and wit to serve.

In fact, the variety of creature encounters and battle sequences give The Desolation of Smaug a much needed burst of energy from the get-go, unlike An Unexpected Journey which never really hit any kind of stride until Bilbo’s magnetic encounter with Gollum. Sadly Gollum does not feature here, however Bilbo does partake in a similarly dynamic conversation with Smaug the dragon, a meeting which is surprisingly full of more humour than tension. Martin Freeman comes into his own as the Hobbit Baggins, and along with a new found purpose through which his character evolves, Freeman also offers more than a handful of genuinely laugh-out-loud moments. His hurried, fidgety approach works expertly as he is often seen placing his cohorts before himself, exemplified during the tremendous barrel scene. However Bilbo’s engaging back-and-forth with Smaug sits effortlessly at the pinnacle of Freeman’s performance. Benedict Cumberbatch plays the dragon and, unlike Gandalf who possesses an assuring whispery tone, delivers his speeches deceitfully and slyly, as the words echo off the screen.

For a film (and trilogy) entitled “The Hobbit” we really could’ve done with more of said small being. At over two hours and 40 minutes (nine minutes shorter than the previous film) there is bountiful time for director Peter Jackson to tell the story of Bilbo finding the Ring and how the poisoned chalice affects him, however the film only breezes over the developing relationship between Hobbit and Ring. Rather, The Desolation of Smaug puts greater emphasis on the relationship triangle which incorporates a returning-to-the-franchise Legolas (Orlando Bloom), new-to-the-franchise Tauriel (Evangeline Lilly) and already-in-the-franchise Kili (Aidan Turner). The return of a makeup-laden Legolas is smart move on Jackson’s part as both the elf and Tauriel are the primary vehicles of energy, dispatched by way of exhilarating, fun-to-watch battle sequences; we even see Legolas skate via Orc rather than shield, as he did in The Two Towers. However unlike the romance sub-plot featured throughout the original trilogy (both book and film), the love triangle here feels very forced and artificial. Its creation was conceived exclusively for the big screen, but the film does not need it for added drama or emotion — that is already there as part of Bilbo’s journey.

The Desolation of Smaug is too long, although at no time does it noticeably falter as a consequence. There is more than enough going on to keep the audience attentive, and as a result the film looks more like a film than it does a congregation of set-pieces. Along with the reduced frame-rate (in most cinemas, back from 48 frames per second to 24) the swift advancement of proceedings prevents the viewer from becoming bored and spending their time staring at background objects that look exceedingly prop-like in a higher frame-rate environment — this hampered part one. The typically Lord of the Rings wide-shots which span over landscapes are beautifully shot and film’s computer-generated additions mesh in well. In an interesting move by Jackson, we see a number of mirroring scenes which serve both as a warning of evil times to come, and as a chance to reflect. For instance, Bilbo twanging the spider web and alerting many spiders a la Pippin knocking the metal armour down a shaft, in turn waking the goblins in Moria, and Thorin’s emphatic “What say you?” in his Aragorn-esque speech demanding affirmation, are two examples. Perhaps the most poignant of all though, is the elderly dwarf Balin’s declaration of his admiration for Hobbits, “It never ceases to amaze me, the courage of Hobbits,” which he unveils with the same authenticity as Gandalf does towards Frodo early in The Fellowship of the Ring.

Peter Jackon’s passion for the subject matter seeps through in abundance here and his decision to split the cinematic adaptation of The Hobbit into three films looks a great deal more justified by the end of The Desolation of Smaug (though there’s still a way to go). Martin Freeman shines as Bilbo Baggins in a sequel which, although still has its downsides, succeeds its predecessor both narratively and in content.

The Hobbit: The Desolation of Smaug (Out December 13th, 2013)

As presumably everybody already knows, the trailer for The Hobbit: The Desolation of Smaug was released yesterday. The Hobbit: An Unexpected Journey, the first of a forthcoming trilogy based on J.R.R. Tolkien’s novel, opened in cinemas back in December of 2012, and has now taken over $1 billion dollars at the box office. With all the fanfare behind the franchise and excitement starting to build already, I think it is fair to say that by this time next year, The Desolation of Smaug will have come close to that figure again, and perhaps have even exceeded it.

An Unexpected Journey, directed by The Lord of the Rings director Peter Jackson, delivered a more light-hearted Middle-earth (in comparison to Middle-earth during The Lord of the Rings trilogy) and it is more than likely that part two of The Hobbit, which Jackson helms again, will be portrayed in a similar vein. For me, this is by no means a bad thing — the book itself is certainly less downbeat than its successors and therefore the film does not need to be either. The problem I had with An Unexpected Journey was its less-than-unexpected runtime, which approached almost three hours. Jackson had stated in interviews before the film was released that he was looking into using excerpts from Tolkien’s other related writings (Unfinished Tales and such), and as it turned out, he used a few more than he probably should have (such as the scene with bumbling wizard Radagast the Brown and his energetic rabbits). Something tells me The Desolation of Smaug will have a similarly long runtime, but at the end of the day if it means I am sitting for an extra hour in a cinema, why should I be complaining?

“Wait, you’re saying these are just… chocolate coins?”

The trailer for The Desolation of Smaug certainly looks more action-packed than the previous instalment, as Martin Freeman’s Bilbo Baggins and his troupe of companions continue on their journey to the Lonely Mountain and an impending meeting with the dragon, Smaug. We see an array of new characters making an appearance in the trailer (such as Lost’s delightful Evangeline Lilly as Tauriel) and old faces returning (the ever-popular Orlando Bloom is back as the, well… ever-popular Legolas). Stephen Fry finally gets his debut in the franchise as the Master of Lake-town and Martin Freeman’s Sherlock compatriot, Benedict Cumberbatch, plays the dragon — who better (than Kanyon… never mind)? Aside from those four, many of the previous actors from An Unexpected Journey are set to reprise their roles, signalling the return of people like Ian McKellen as Gandalf the Grey, Richard Armitage as Thorin Oakenshield and James Nesbitt as Bofur the dwarf. We are even getting the pleasure of another Andy Serkis performance as Gollum.

Particular events outlined in the book which stick out in the trailer include the barrel scene, the company’s arrival and travels through places such as Mirkwood and Dale, and the eventual confrontation with Smaug. We even get a greater glimpse of the dragon right at the end of the trailer (as opposed to just an eye in the previous film). Once again, it appears that the graphics team and visual departments have all worked wonders on the actual viewing aspect of the piece, as the detail exuding from the trailer alone looks magnificent, an element common in Jackson’s films — they tend to be truly cinematic and spectacular (take The Lovely Bones as an example).

One thing is for sure, at the hands of Peter Jackson, regardless of runtime or unnecessary scenes or any number of frames per second, The Hobbit: The Desolation of Smaug is certain to be a visually stunning, exciting and hugely enjoyable watch for all.

The World’s End (Out July 19th, 2013)

Having just watched it I feel obliged to point you in the direction of the brand new trailer for the latest and final part of Edgar Wright’s Three Flavours Cornetto trilogy, The World’s End.

Starring Simon Pegg and Nick Frost, who previously worked together with Wright on the hilarious rom-zom-com Shaun of the Dead (2004) and wonderfully outlandish action-comedy Hot Fuzz (2007), The World’s End welcomes four new faces to complete a stellar cast: Martin Freeman, Paddy Considine and Eddie Marsan join Pegg and Frost’s characters in a reunion and quest around their old hometown to once again attempt the legendary pub-crawl which ends, coincidentally, with The World’s End pub. Also along for the ride is the terrific Rosamund Pike, who recently starred alongside Tom Cruise in the film adaptation of Lee Child’s 2005 novel One Shot — Jack Reacher.

“Britain’s next new boy-band? There’s only ‘one direction’ we’re going boys — the pub.”

The trailer gives off the same vibes as Shaun of the Dead and Hot Fuzz, ensuring that we are in for another treat at the hands of the magnificent Wright, Pegg and Frost. Witty dialogue, intriguing drama, engrossing action, effortless chemistry: it certainly sounds like the customary formula which has produced two great films in the past at the hands of the aforementioned trio.

Hitting cinemas in the UK on July 19th, 2013, The World’s End is a must-see in my opinion, and it looks and sounds like it promises to be another hit for Edgar Wright and the two comical geniuses, Simon Pegg and Nick Frost.

Below is the recently released trailer, enjoy!