I have no idea how I managed to miss this one when it was announced. The Counsellor is an upcoming thriller film about a lawyer who gets embroiled in the world of drug trafficking, perhaps a little further than he had hoped, and is set to be released on October 25th in the United States and on November 15th here in the United Kingdom. It sounds like your average crime drama, right? Well, check this out.
The film will be directed by none other than Ridley Scott (who recently enlightened our minds with Prometheus), a man who consistently blends out good to exceptional films and whose dedication to perfecting the visual element of his work is second-to-none. Spanning five decades, his directorial career has cultivated films such as Alien (1970s), Blade Runner (1980s), Thelma & Louise (1990s), Gladiator (2000s) and Prometheus (2010s), as mentioned beforehand, and it does not seem to be slowing down at any rate, with Scott having released almost one film per year since 2000. In my eyes, Scott is one of a handful of directors who the audience can put their wholehearted faith in to create a hugely enjoyable and commercially successful film, in any situation.
The cast of The Counsellor is composed of Michael Fassbender, Brad Pitt, Cameron Diaz, Penelope Cruz, Javier Bardem (need I go on?). Fassbender, who will play the lead character, has been on career ascension like no other since appearing in Hunger in 2008 and then Quentin Tarantino’s Inglorious Basterds a year later, both of which he received mass amounts of praise for his performances in. It does not get much bigger than Brad Pitt when it comes to names in the film industry (or any industry, for that matter), and Cameron Diaz and Penelope Cruz are two very accomplished actors (or actresses, whichever you prefer) who can more than hold their own in just about any film. Javier Bardem has just come off a BAFTA nominated performance for his portrayal of Bond villain Raoul Silva in Skyfall, and it is apparent that has been churning out excellent performance after excellent performance in recent years.
The screenplay of The Counsellor has been written by none other than Cormac McCarthy, the author of novels such as the brooding No Country for Old Men and the heart-wrenching The Road (which have been adapted into Academy Award winning and critically successful films, respectively). Even though this will be McCarthy’s first feature-length screenplay, it is obvious that he has a knack for penning exceptionally good literature and it will be intriguing to see how his screenplay comes across directly on film.
The first trailer for The Counsellor has just been released and, although 44 seconds is a hardly a significant amount of time to be making too many judgements on, the film comes across as everything from gritty to slick to atmospheric to precise. It also sounds majestic. Of course, visually it appears a Ridley Scott film as the visuals are, for lack of a better description, ‘top notch’, and we get a brief glimpse of some of the characters involved — Bardem looks like he could be a show stealer in this department. As I just mentioned, this is only a short trailer and therefore it is likely that the full-length one will be made available in the coming months, by which time we will hopefully know a little more about Scott’s next cinematic outing. But for now, check out the short trailer below. And in answer to my somewhat rhetorical question at the beginning: No, not really — in fact, not at all.
Today I am focusing on some of my favourite films in the thriller genre. Just before I begin, I would like to be clear on how I make the distinction between thriller and action, because sometimes they seem to mesh into one. This is just my own personal way of telling both genres apart and there really is no right or wrong answer here — you may think something completely different!
Firstly, the main similarities between the two genres are the typically a fast-paced plot and, more often than not, a heroic character fighting off a villainous one in one way or another. For me, the separation tends to occur in the tone of the film. For example, a thriller seeks out suspense and jeopardy as the driving force, whereas an action film is all about excitement and liveliness. Also — and again this is just the way I see it — action films tend to be more light-hearted than thrillers (not always, but generally).
Anyway, on to five greats!
The newest film on the list, Skyfall was released in October 2012 and declared instantly by the vast majority of viewers to be the best Bond film ever. Helmed by Sam Mendes and with Daniel Craig reprising his role as James Bond, the film follows Bond’s relationship with M (Judi Dench) throughout his investigation of a violent attack on MI6 at the hands of former agent Raoul Silva (Javier Bardem) who is out for revenge.
As I mentioned earlier, Skyfall has been touted as the best Bond film ever by audiences and critics alike, and has now grossed well over $1 billion which makes it — as of writing — the eighth highest grossing film of all time. That tells you that Sam Mendes done something right. In fact, he done just about everything right in this emotional roller coaster ride. For the first time, the audience is invited into the ins and outs of the relationship between Bond and M which makes this instalment more weighty and heartfelt, yet it still maintains that slickness that has always been associated with the franchise. Mendes has a stellar cast at his disposal — joining Daniel Craig (who plays his best Bond to date opposite Judi Dench, in my opinion) in Skyfall are newcomers to the franchise Ralph Fiennes, Ben Wishaw and Naomie Harris who each add their own nuances to the film (Wishaw is particularly good as Q). However, the star of the show is Javier Bardem with his charismatic, extravagant portrayal of villain Raoul Silva. On a par with Mads Mikkelsen in Casino Royale (we will just ignore Quantum of Solace for now) Bardem is hugely effective opposite Craig and the two flourish as a result.
Although Bond has become a genre on its own essentially, Skyfall claims a spot in my top thriller films for its crisp, free-flowing script and interesting characters.
No Country For Old Men (2007)
No Country For Old Men is an Academy Award winning 2007 film directed by Joel and Ethan Coen (or just the Coen brothers). The plot surrounds Josh Brolin’s character, hunter Llewelyn Moss after he uncovers over $2 million worth of cash at a drug deal gone wrong and is pursued as a result by vicious hitman Anton Chigurh (Javier Bardem) who has been hired to recover the stolen cash. Meanwhile, almost retired sheriff, Ed Tom Bell (Tommy Lee Jones) finds himself thrust directly into the cat-and-mouse chase between the two.
It is not often the Coen Brothers get it wrong and, true to form, No Country For Old Men is a knockout. This marks Javier Bardem’s second appearance on my list, and for the second time he steals the show. Bardem is excellent at portraying a psychotic, emotionless killer and his aura throughout the film adds to the creepy, on-the-edge, thriller-ish atmosphere. Both Josh Brolin and Tommy Lee Jones are terrific in their depictions of a desperate war veteran and a straight-to-the-point county sheriff respectively. The 1980s Texas setting truly adds to the grit (wink) and once again proves just how good a pair of eyes the Coen Brothers have at selecting locations for their films — have a look at Fargo and O Brother, Where Art Thou? if you do not believe me.
No Country For Old Men is captivating and intense, just two of the many characteristics which make it a very enjoyable thriller.
Ben Affleck’s third directorial feature, political thriller Argo, opened in cinemas a few weeks before Skyfall in October 2012 and stars Affleck, Alan Arkin and Bryan Cranston. The film is a dramatisation of the Iranian hostage crisis in the 1980s where six fugitive American diplomats require assistance in the form of extraction out of Iran from CIA specialist Tony Mendez (Ben Affleck).
I cannot wait for Affleck’s next film, because this one is absolutely outstanding. Argo defines the thriller genre — every characteristic required to make this film a success is in there. Gripping, intense, polished and stylish, Argo delivers on all fronts. For a political thriller, the plot is not difficult to follow, yet it remains shrewd and without any glaring mishaps. One of the more surprising elements here, particularly following the terrifying opening sequence, are the pockets of dark comedy splattered throughout the film which by no means feel out of place. Affleck manages to equate the frantic goings-on with enough dark humour to ensure the film does not become too lifeless or overbearing. Each of the performances from the cast are solid, with Alan Arkin standing out in particular, but the constantly flowing nature of the plot is the key to this film’s success.
How Ben Affleck was snubbed by the Oscars (he did not receive a nod in the Best Director category) is beyond me. Argo is a must-see film and definitely one of the best released in 2012.
Directed by Christopher Nolan, the summer blockbuster of 2010, Inception, stars a jam-packed ensemble cast lead by Leonardo DiCaprio, who receives his support from the likes of Ellen Page, Tom Hardy, Joseph Gordon-Levitt, Cillian Murphy and Marion Cotillard (the list goes on). DiCaprio plays Dom Cobb, an extractor — or plainer terms, a thief — who enters his subject’s dreams in order to carry out an extraction. When he is offered the chance to see his children again, Cobb must assemble a team of specialists together in order to plant an idea into his target’s (Cillian Murphy) subconscious — a process known as inception.
I am probably going be referring to film critic Mark Kermode a lot during this next paragraph, because his review of Inception is one of the best I have heard. Massive summer blockbusters are sometimes tarred (often justifiably) as being big money-making schemes with very little for their audience, who have become accustomed to seeing films where absolutely nothing happens other than some pointless, soulless action sequences (I am looking at you Michael Bay). Kermode attributes this to a small percentage of filmmakers perhaps assuming their audience is too ‘dumb’ to be able to watch a film and at the same time… think. Yes, think. It really is absurd, but it does appear to happen. Look at Transformers for example: the whole franchise is nothing more than robots hitting each other, which is fine once (I suppose), but not over and over again until it becomes so intolerable it hurts to watch. Inception, however, is a perfect example of a massive blockbuster that provides enough action and thrills to appease everyone, but also makes its audience think during the film — and it worked, because the film has taken over $825 million. Why? Because people appreciate that Christopher Nolan is looking out for his audience and making films that will challenge them, but that are also highly enjoyable (The Dark Knight trilogy being another example). Also, because Inception had a number of different layers to it (both literally and figuratively) and because people enjoyed it, some then had to go back and see it again in order for them to fully understand it! That does not mean those people are dumb, quite the opposite in fact: it means they are thinking.
But I digress. Inception is a show-stopping thriller stuffed full of ideas, great performances, amazing visual effects, comedic moments and even some emotion (look it up, Bay).
Blood Diamond (2006)
The oldest film on my list (albeit not very old), Blood Diamond is another political thriller starring Leonardo DiCaprio. This time he accompanied by Djimon Hounsou and Jennifer Connelly in a Sierra Leone setting. At the height of the Sierra Leone civil war (1996-2001), smuggler Danny Archer (DiCaprio) teams with a local fisherman (Hounsou) and a reporter (Connelly) in an attempt to seek out and gain possession of a large diamond, with each of the three boasting different motives.
Leonardo DiCaprio (incidentally, my favourite actor) gets a bad rap for his South African accent in this film — it sounds great to me, but maybe I am touch biased. I doubt that. The performances are very strong, with all three protagonists providing a combination of fury, optimism, emotion and anguish to accompany the desperate situation they find themselves in (particularly DiCaprio and Hounsou). The story moves at greater-than-steady pace which provides the thriller-ish aspect which the film has in abundance, with Edward Zwick’s narrative ensuring the audience remains grasped throughout. Part of the formula which contributes to Blood Diamond’s success in my eyes, is its realism as it depicts some of the hardships most civilians staying in Sierra Leone (and elsewhere) were going through during the civil war. A few of the scenes are harrowing, not in a particularly gory way, but because they dramatise atrocities occurring around the world. I would say, however, that Zwick does not make these scenes exploitative in away way — they are an essential part of the story. On a last note, the African setting is absolutely stunning and almost becomes a character itself during the film.
Blood Diamond really hits home in its realistic nature, and at the same time serves up a gripping tale of two very different men with one common goal.
And now for some honourable mentions:
Se7en (1995) — This is a very accomplished horror story about two men tracking down a serial killer who leaves them clues in the form of the Seven Deadly Sins… only, with people involved. Morgan Freeman and a young Brad Pitt excel in their roles.
The Talented Mr. Ripley (1999) — At times you get obsession, then you get Matt Damon in The Talented Mr. Ripley. What opens as a fairly innocent thriller closes with just enough menace to fill anyone for a day. Or a lifetime.
Inside Man (2006) — A very underrated film in my opinion, Inside Man sees the charismatic Denzel Washington tasked with rescuing a bunch of civilians caught up in a bank robbery masterminded by Clive Owen. Very intriguing action with a wonderful twist.
Taken (2008) — I think just about everybody has seen Taken — it’s on the TV at least once every week (and weirdly, it costs exactly three pounds in just about every shop in Scotland). Often brutal, always entertaining and the birth Liam Neeson: action star.
Wrecked (2010) — A small, independent thriller starring Adrien Brody as a man who wakes up in the middle of a forest after a car accident he cannot remember anything about. Interesting, dramatic and unique.
Source Code (2011) — This may make an appearance on another list, but as a thriller it just about misses out my top five. Therefore, I will refrain from saying much more for now (but it is very, very good).
What are some of your favourite thriller films?
(Note: Mark Kermode reviews each week’s new film releases between 2-4pm on Fridays with Simon Mayo on BBC Radio 5live, so check them out if you like films, or flappy hands. You will not regret it.)