Grimsby (2016)

★★

Grimsby PosterDirector: Louis Leterrier

Release Date: February 24th, 2016 (UK); March 11th, 2016 (US)

Genre: Action; Comedy

Starring: Sacha Baron Cohen, Mark Strong

Should you walk into a screening of this latest Sacha Baron Cohen flick not knowing what exactly to expect, you’ll be brought up to speed almost immediately. The first thing we see is a sweaty, mouthy sex scene between Cohen and Rebel Wilson, and here’s the kicker: it takes place atop a mattress in a furniture store. Thankfully Cohen, playing Grimsby goof Nobby Butcher, chooses to purchase said mattress having already christened it. We watch him wheel the thing home using an abandoned shopping trolley; he’s docked out in an England strip and is sporting a 90s britpop hairdo. Meanwhile, Blur’s “Parklife” blares in the background.

It gets much grosser than an in-store romp, though Louis Leterrier’s Grimsby never matches the unfiltered rowdiness of Borat, Cohen’s pinnacle comedic achievement. The film tries — you’ll know it when you see it — but the actor, once a laudable harbinger of satirical bite (and he may be still), is suffocated by a plethora of unoriginal sexual antics. Obvious targets are set up to be shot down: Bill Cosby, blandly, and Donald Trump, more amusingly. Smarter quips are less prevalent, though there is at least one (“Chilcott was dismissed for good reason,” claims an agency insider). It doesn’t want to be that sort of film, which is fine, but the invention isn’t there to justify a simple 90-minute yuck-fest.

An opening Call of Duty action sequence makes use of Leterrier’s background in the genre (The Transporter, The Incredible Hulk): we take the viewpoint of Mark Strong’s Sebastian as he leaps onto vehicles and sends enemies flying with a barrage of roundhouse kicks. The violent obstacle course suitably concludes just as “Directed by Louis Leterrier” hits the screen. Sebastian is an MI6 agent and also Nobby’s brother, though the two haven’t been together since their childhood separation. Inevitably, their reunion sees the latter interrupt the former during a mission, resulting in the shooting of an ill, wheelchair-bound youngster and the escape of Sebastian’s actual target. And so, the brothers find themselves on the run.

In tandem with Cohen’s screenplay — co-written with long-time partner Peter Baynham and Wreck-It Ralph story moulder Phil Johnston — Leterrier attempts to infuse proceedings with that Edgar Wright sense of snap and whizz. It doesn’t work. Partly because the centrepiece jokes are based around sequences that overstay their welcome, thus any built-up momentum succumbs to comedic culling. But the use of flashbacks is also a great hindrance: we see the brothers as annoying kids, loud, sweary and arrogant. Not exactly the sympathetic formula required to make us feel for them when they are split up via fostering.

“Cigarettes & Alcohol” is the soundtrack to the film’s best scene: Nobby, having ditched the football jersey, dons his brother’s spy gear (including a black turtleneck jumper) and saunters forth in slow motion with enough Liam Gallagher swagger to match his Liam Gallagher mod mullet and sideburns combo. It is funny because you can feel a similar sort of pay-off building from the moment Leterrier intercuts Northern English football culture with britpop tunes and britpop attire. And it works because you believe in Cohen’s false big-headedness. He is fairly good as Nobby, it’s just that Nobby isn’t a particularly intriguing character.

The return of Barkhad Abdi to the silver screen is a welcome one, even though his role (drug runner) demands very little from a former Academy Award nominee. Booze comedian Johnny Vegas and Royle Family mainstay Ricky Tomlinson have fleeting supporting roles as two of Grimsby’s football-loving troupe: set during the 2016 World Cup, if ever there was something within the narrative to exemplify the film’s lack of reality or relevance, it would be the England national football team’s success. On the female side of things, Isla Fisher plays a helpful MI6 agent stuck behind mobile phones and computer screens while Penélope Cruz, well, has another portfolio credit.

Fans of Cohen might still enjoy this tamer-in-execution offering so long as they enter not expecting the piercing offence prevalent in earlier outings. Grimsby is basically just Johnny English Reborn, the not-so-good one, but with cruder jokes. There is a working class versus establishment thing going on, I think, but both sides are so plainly drawn nothing new or interesting sees the light of day. This is no Kingsman, which struck the correct balance between heightened impact and genre appreciation. Having said all of that, I did learn of Grimsby and Chernobyl’s twin city relationship. Wait, that was a joke?

Grimsby - Mark Strong & Sasha Baron Cohen

Images credit: IMP Awards, Collider

Images copyright (©): Columbia Pictures

The Counsellor (Out November 15th, 2013)

A new image released by Entertainment Weekly.
A new image released by Entertainment Weekly.

Talk about star power.

I have no idea how I managed to miss this one when it was announced. The Counsellor is an upcoming thriller film about a lawyer who gets embroiled in the world of drug trafficking, perhaps a little further than he had hoped, and is set to be released on October 25th in the United States and on November 15th here in the United Kingdom. It sounds like your average crime drama, right? Well, check this out.

The film will be directed by none other than Ridley Scott (who recently enlightened our minds with Prometheus), a man who consistently blends out good to exceptional films and whose dedication to perfecting the visual element of his work is second-to-none. Spanning five decades, his directorial career has cultivated films such as Alien (1970s), Blade Runner (1980s), Thelma & Louise (1990s), Gladiator (2000s) and Prometheus (2010s), as mentioned beforehand, and it does not seem to be slowing down at any rate, with Scott having released almost one film per year since 2000. In my eyes, Scott is one of a handful of directors who the audience can put their wholehearted faith in to create a hugely enjoyable and commercially successful film, in any situation.

The cast of The Counsellor is composed of Michael Fassbender, Brad Pitt, Cameron Diaz, Penelope Cruz, Javier Bardem (need I go on?). Fassbender, who will play the lead character, has been on career ascension like no other since appearing in Hunger in 2008 and then Quentin Tarantino’s Inglorious Basterds a year later, both of which he received mass amounts of praise for his performances in. It does not get much bigger than Brad Pitt when it comes to names in the film industry (or any industry, for that matter), and Cameron Diaz and Penelope Cruz are two very accomplished actors (or actresses, whichever you prefer) who can more than hold their own in just about any film. Javier Bardem has just come off a BAFTA nominated performance for his portrayal of Bond villain Raoul Silva in Skyfall, and it is apparent that has been churning out excellent performance after excellent performance in recent years.

“Is this Transformers?”

The screenplay of The Counsellor has been written by none other than Cormac McCarthy, the author of novels such as the brooding No Country for Old Men and the heart-wrenching The Road (which have been adapted into Academy Award winning and critically successful films, respectively). Even though this will be McCarthy’s first feature-length screenplay, it is obvious that he has a knack for penning exceptionally good literature and it will be intriguing to see how his screenplay comes across directly on film.

The first trailer for The Counsellor has just been released and, although 44 seconds is a hardly a significant amount of time to be making too many judgements on, the film comes across as everything from gritty to slick to atmospheric to precise. It also sounds majestic. Of course, visually it appears a Ridley Scott film as the visuals are, for lack of a better description, ‘top notch’, and we get a brief glimpse of some of the characters involved — Bardem looks like he could be a show stealer in this department. As I just mentioned, this is only a short trailer and therefore it is likely that the full-length one will be made available in the coming months, by which time we will hopefully know a little more about Scott’s next cinematic outing. But for now, check out the short trailer below. And in answer to my somewhat rhetorical question at the beginning: No, not really — in fact, not at all.

Talk about star power.